A journal of art + literature engaging with nature, culture, the environment & ecology

Art

Tammy Lai-Ming Ho, Hong Kong

 

For some, the art of leaving isn’t hard

to master. The one-way plane tickets, the house,

possibly a backyard. The city loses something

 

each day: freedoms; its finest lawyers, writers,

scholars who will one day look back

at this broken ship of a town

 

with loving nostalgia. The art of staying, however,

must be mastered regardless of how, for those

whose roots evidently know this is the land

 

where their bones shall be ground to dust. The

mountains have seen their ancestors. They own

this city, this realm, even the bittersweet summer

 

sun. Some wonder if the harbour will smell

the same. The trees? How long will it take

before mail is confiscated? When will coins

 

and banknotes erase Hong Kong? Will we

speak a different tongue and become

a placid province? Going, going, gone.

Tammy Lai-Ming Ho is the founding co-editor of Cha: An Asian Literary Journal, the English Editor of Voice & Verse Poetry Magazine, and an editor of Hong Kong Studies. She is an Associate Professor at Hong Kong Baptist University, the President of PEN Hong Kong, an Associate Director of One City One Book Hong Kong, and a Junior Fellow of the Hong Kong Academy of Humanities. Her literary translations can be found in World Literature Today, Chinese Literature Today, Pathlight, among other places, and were published by the Chinese University Press. Her first poetry collection is Hula Hooping, for which she won the Young Artist Award in Literary Arts from the Hong Kong Arts Development Council. Her other books are Too Too Too Too, Her Name Upon the Strand, and An Extraterrestrial in Hong Kong. Her first scholarly book is Neo-Victorian Cannibalism.

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